A science-fiction thriller
HIGH
A daughter taken to Mars.
A mother determined
to bring her home.
An extraction specialist. A billionaire’s fortress.
No obvious way home.
HIGHA science-fiction thriller
An extraction specialist. A billionaire’s fortress.
No obvious way home.
The assignment
Elleke Boerhaave has left one of the wealthiest and most dangerous men in the solar system. He has taken their eleven-year-old daughter, Patt, to Mars.
There, no custody ruling on Earth can touch him.
So Elleke hires Hi. His job: cross interplanetary space, break into her husband’s fortified compound, and bring her daughter home.
He’ll collect his fee when he returns.
Life on the red planet
The rich live in pressurized mansions. Below them, workers crowd into settlements carved into the canyons, paying off debts that can outlive them.
In Deadwood, Hi recruits Che Siti, a mother separated from her own children. She has no combat training. He needs her for something else: getting a frightened girl to trust them.
For Che Siti, the job offers a way home, too.
The approach
Boerhaave’s men watch the arrivals. His compound bristles with surveillance, weapons and guards. Outside its walls, the cold and thin air can kill just as efficiently.
Hi and Che Siti will make the approach on foot.
Getting inside is only part of the problem. Even if Hi reaches Patt, every conventional route back to Earth leaves them exposed.
Hi seems remarkably untroubled by this.
Screen adaptation
Logline
When a billionaire kidnaps his eleven-year-old daughter and takes her to a fortress on Mars beyond any Earthly extradition treaty, the girl’s mother hires extraction specialist Hi to cross interplanetary space, penetrate the compound, and somehow bring the child back to Earth.
The novella
A seemingly impossible rescue. A mercenary with more than one reason to take the job.
Enter Adam Roberts’s ruthless, darkly funny vision of life on Mars.
